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Golden
doors to the kingdom of entertainment were opened. Word of
White's appeal spread like hot Hollywood gossip. Up popped
an unrelated Beatles job, and he snapped up John Lennon's
album cover. The talent types talked on their rhinestone embellished
grapevine. "In the music industry, I did album covers
and magazine covers. You start to push and perpetuate that
part of your career." He says one star recommends you
to another and people like magazine editors who socialize
together and share tips really drive your reputation.
"But
a big part of developing a career and a reputation is being
able to come through with great work. These people are spending
money and are pressed for time and it's difficult to get big
stars to give you their time. Beforehand the decision makers
have to know the star will like the photographer and that
you'll be easy going. Ultimately you've got to deliver the
goods!," he says.
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White
produces star quality images by test driving all his shots
with Polaroid 665 Positive/Negative film. For over two decades
he's depended on it. "First, it's fun because it's instant
and I'm an impatient guy. But secondly, it's also a very effective
tool for seeing exactly what you're doing through the process
of building up a shoot. Technically it's great. It also lets
me get a shot while the talent's guard is still down
more
relaxed and natural," he explains.
When the
star likes his 665 proof shots, it's a bonus and the mood
of the session is enhanced. Other times, he keeps his distance
from certain unnamed stars and never shows them the proof,
knowing there's a nit-picker in his midst he'll move on quickly
with the session. His lips are sealed.
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